Er-Dong Hu
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Choreography

2000 "Romeo &Juliet" 35-minute work for thirteen dancers and actors combining the classical ballet, Chinese Peking Opera (water sleeves), modern dance and original theatrical work from the texts of Shakespear's Romeo and Juliet. Produced by Bucknell Dance Company.


1999 "Echoes from Shangri-La": 15-minute work for nine dancers blending
the costumes and techniques of traditional Chinese,Tibeten folk dance and drum with modern dance and ballet. Music by Chinese Tibetan folk song . The piece was produced by Bucknell Dance Company .


1998 "Sensitivity": 8-minute modern dance with the techniques from Chinese Traditional dance and T'ai Chi for four dancers . Music by John Williams ,Produced by Bucknell Dance Company and reviewed by Carolyn Hall.


1998 "Take Flight": 12-Minute work for twelve dancers. The techniques blended with Chinese folk dance, ballet and modern technique. The piece was produced by the Bucknell Dance Company , along with sixty people from the Bucknell University Chorale as well as live music. Conducted by David R. Erb from the Music Department. Reviewed by Kimberly Bartosik.

1997 "Beyond Fashion": 12-minute ballet jazz en pointe for five dancers set against jazz music. Produced by Bucknell Dance Company and reviewed by Anthony Phillips.

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"Succession of Descent": 8-Minute work for Four dancers. The techniques blended with Chinese folk dance (Fans),Peking opera's water sleeves, modern and ballet pointe technique, piece was produced by Bucknell Dance Company and reviewed by Anthony Phillips.


1997 "Poem": 14-minute Chinese Folk Dance for nine dancers blending the costumes and techniques of Chinese double fan with ballet and modern dance. Music by Ming Xin Du. Produced by Bucknell Dance Company, Reviewed by Rebecca Kelly.


1996 "Celebration": 5-minute Chinese folk dance with Chinese red ribbon, work for thirteen dances with Chinese Traditional folk music and reviewed by Denise Jefferson.

"First Blush": 14-minute modern dance, co-choreographed with Danna
Frangione, for twelve dancers. Music by Bach and reviewed by Denise Jefferson.


1995 "Concert Waltz": 8-minute classical ballet en pointe for five dances. Music by Alexander Glazunov. Produced by Bucknell Dance Company and reviewed by Gabriel Masson.

"Tao": 7-minute modern dance with the techniques from Chinese Traditional dance and T'ai Chi for two dancers . Music by Ecohony Rinne and reviewed by Gabriel Masson.


1995 "The Spirit of Nature": 15-minute work for ten dancers blending
the costumes and techniques of traditional Chinese long-sleeve dancing
with modern dance and ballet. Set against music by Prokofiev, the piece
was produced by Bucknell Dance Company and reviewed by Lori
Belilove.

"Blues": 8-minute jazz quartet on pointe set against early jazz music.
Produced by Bucknell Dance Company and reviewed by Lori Belilove.


1994 "Sweet Illusion": 9-minute jazz dance, co-choreographed with Danna
Frangione, for six performers set against music by Basia. Produced by
Bucknell Dance Company. Reviewed by Keith Chamberlain.


1993 "Reverie": 6-minute solo piece on pointe using traditional Chinese
long-sleeve technique staged for Dayton Ballet principal dancer Elizabeth Rait
to music by Dvorak. Produced by Dayton Ballet.


1990 "Foreigner": 20-minute thesis project for University of Iowa M.F.A.
program staged for six performers with music by Shostakovitch.
Reviewed by Daily Iowan.


1988 "Trio": 6-minute trio with music by Peter Buffet. Produced by the
University of Iowa. Reviewed by Daily Iowan.


1987 "Yellow River": 5-minute solo exploring the masculine force of the
Yellow River as represented by the style of the Han minority of China.
Produced by the University of Iowa.

"Becoming": 4-minute solo about the first flowering of womanhood set
against music by Shadowfax. Produced by the University of Iowa.

 
 

© Bucknell University 2001
Steven M. Connor Design
last updated: 12/5/01