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Choreography
2000 "Romeo &Juliet"
35-minute work for thirteen dancers and actors combining the classical
ballet, Chinese Peking Opera (water sleeves), modern dance and original
theatrical work from the texts of Shakespear's Romeo and Juliet. Produced
by Bucknell Dance Company.
1999 "Echoes from Shangri-La": 15-minute work for nine dancers
blending
the costumes and techniques of traditional Chinese,Tibeten folk dance
and drum with modern dance and ballet. Music by Chinese Tibetan folk song
. The piece was produced by Bucknell Dance Company .
1998 "Sensitivity": 8-minute modern dance with the techniques
from Chinese Traditional dance and T'ai Chi for four dancers . Music by
John Williams ,Produced by Bucknell Dance Company and reviewed by Carolyn
Hall.
1998 "Take Flight": 12-Minute work for twelve dancers. The techniques
blended with Chinese folk dance, ballet and modern technique. The piece
was produced by the Bucknell Dance Company , along with sixty people from
the Bucknell University Chorale as well as live music. Conducted by David
R. Erb from the Music Department. Reviewed by Kimberly Bartosik.
1997 "Beyond Fashion":
12-minute ballet jazz en pointe for five dancers set against jazz music.
Produced by Bucknell Dance Company and reviewed by Anthony Phillips.
.
"Succession of Descent": 8-Minute work for Four dancers. The
techniques blended with Chinese folk dance (Fans),Peking opera's water
sleeves, modern and ballet pointe technique, piece was produced by Bucknell
Dance Company and reviewed by Anthony Phillips.
1997 "Poem": 14-minute Chinese Folk Dance for nine dancers blending
the costumes and techniques of Chinese double fan with ballet and modern
dance. Music by Ming Xin Du. Produced by Bucknell Dance Company, Reviewed
by Rebecca Kelly.
1996 "Celebration": 5-minute Chinese folk dance with Chinese
red ribbon, work for thirteen dances with Chinese Traditional folk music
and reviewed by Denise Jefferson.
"First Blush": 14-minute
modern dance, co-choreographed with Danna
Frangione, for twelve dancers. Music by Bach and reviewed by Denise Jefferson.
1995 "Concert Waltz": 8-minute classical ballet en pointe for
five dances. Music by Alexander Glazunov. Produced by Bucknell Dance Company
and reviewed by Gabriel Masson.
"Tao": 7-minute modern
dance with the techniques from Chinese Traditional dance and T'ai Chi
for two dancers . Music by Ecohony Rinne and reviewed by Gabriel Masson.
1995 "The Spirit of Nature": 15-minute work for ten dancers
blending
the costumes and techniques of traditional Chinese long-sleeve dancing
with modern dance and ballet. Set against music by Prokofiev, the piece
was produced by Bucknell Dance Company and reviewed by Lori
Belilove.
"Blues": 8-minute jazz
quartet on pointe set against early jazz music.
Produced by Bucknell Dance Company and reviewed by Lori Belilove.
1994 "Sweet Illusion": 9-minute jazz dance, co-choreographed
with Danna
Frangione, for six performers set against music by Basia. Produced by
Bucknell Dance Company. Reviewed by Keith Chamberlain.
1993 "Reverie": 6-minute solo piece on pointe using traditional
Chinese
long-sleeve technique staged for Dayton Ballet principal dancer Elizabeth
Rait
to music by Dvorak. Produced by Dayton Ballet.
1990 "Foreigner": 20-minute thesis project for University of
Iowa M.F.A.
program staged for six performers with music by Shostakovitch.
Reviewed by Daily Iowan.
1988 "Trio": 6-minute trio with music by Peter Buffet. Produced
by the
University of Iowa. Reviewed by Daily Iowan.
1987 "Yellow River": 5-minute solo exploring the masculine force
of the
Yellow River as represented by the style of the Han minority of China.
Produced by the University of Iowa.
"Becoming": 4-minute solo
about the first flowering of womanhood set
against music by Shadowfax. Produced by the University of Iowa.
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