Premises: |
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1. |
Culture is symbolic … even the functional parts of it. Symbols communicate to ourselves (“This is a nail & I need a hammer.") or to others. |
2. |
Cultural landscape is the set of cultural elements in the public realm that we encounter as we navigate the world. |
3. |
Cultural landscape, as a symbol system, carries messages about the intentions of the actors on the landscape, some of which we over-hear, some of which are directed at us, some of which are only semi-consciously conveyed. This sub-study is of symbol systems, values, and rhetoric. |
4. |
As a long-lived cultural system, the cultural landscape bears the record of successive stages of economic, physical, social forces. This sub-study is of community evolution, |
5. |
As a spatial system, the cultural landscape retains the record of process, action, change, impact, and adaptation. |
Themes: |
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1. |
Lewisburg happens to have existed over a remarkable time period that bridged the transition from pre-industrial circumstances that would be familiar to the Romans, all the way to a information-intense, highly inequitable, post-industrial economy, that we acquire from the Santa Clara valley. |
2. |
Small towns in Pennsylvania adapted to rich resources but difficult transport. |
3. |
The river made the town, but the town has never been at-ease with the river. |
4. |
The university located near the town to derive benefits from a controlled relationship; the town is now highly adapted to the indirect benefits it can derive from the university, which now dominate the character and economy of the town. |
5. |
The marks on the landscape reveal the progression of different uses that the people made of (the same) physical world. |
6. |
Symbolic content of the cultural landscape reveals 200 years of evolving, enlarging, and more global worldviews of the residents. |