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Office: Vaughan Lit 231
Office Hours: WF 1:00-2:30 pm; and by appointment
Office Phone: 577-1424
e-mail: rickard@bucknell.edu
WWW homepage: http://www.facstaff.bucknell.edu/rickard
INTERNET RESOURCES: You can find links to Joyce resources on the internet at http://www.facstaff.bucknell.edu/rickard/Joyce.html
SYLLABUS
This is a provisional syllabus; we will feel free to adjust it as the needs of the class demand. You are responsible for learning of and responding to syllabus changes during the semester. You must have the works read by the day they are listed on the syllabus.
- August 29
Business matters; introduction to seminar and to Joyce. Discussion of Dubliners, especially "The Sisters," "Araby," "Eveline," and "The Dead"-- please bring your text of Dubliners to class.
Web Resources: Dubliners Online–The complete text of the stories online at Project Gutenberg. See also the online concordance of Dubliners, which enables you to see all the occurrences of any word in the the entire text.
- September 5
Finish "The Dead" and begin A Portrait of the Artist as a Young Man
READ: A Portrait of the Artist" (Joyce's first attempt, in 1904 -- read first three paragraphs in detail and skim the rest);
Required Reading: Morris Beja, "The Curve of an Emotion: The Years of the Portrait, 1904-1914," in James Joyce: A Literary Life, 40-62 (Book on reserve at Reserve Reading Desk; see also "Required Readings" folder in "Course Materials" section of Blackboard)
Extra Reading: Kevin Whelan, "The Memories of 'The Dead'"
Web Resources: A Portrait Online–The complete text of the novel available from Project Gutenberg. See also the online concordance of A Portrait of the Artist as a Young Man, which enables you to see all the occurrences of any word in the the entire text.
- September 12
A Portrait of the Artist as a Young Man
Extra Reading: Hélène Cixous, "The Artist and the Law," pages 1-8 only of "Reaching the Point of Wheat, or a Portrait of the Artist as a Maturing Woman"
- September 19
Finish A Portrait of the Artist as a Young Man and begin Ulysses–Read first episode
Required Reading: Morris Beja, "A Touch of the Artist: The Years of Ulysses, 1914-1922," in James Joyce: A Literary Life, pp. 63-87 (Book on reserve at Reserve Reading Desk; see also "Required Readings" folder in "Course Materials" section of Blackboard) and Margot Norris, "A Critical History of Ulysses”
Extra Readings: Garry Leonard, "When a Fly Gets in Your I: The City, Modernism, and Aesthetic Theory in A Portrait of the Artist as a Young Man"
Ulysses Online–A "hypertextual, self-referential edition of Ulysses"
(NOTE: This is NOT the Gabler text, but a copy of the first edition of Ulysses–accordingly,
do not quote this version as if it were the Gabler text in your reading blogs
or papers. The Gabler text is not available on line.)
- September 26
Ulysses–Episodes 1 and 2
Required Reading: T. S. Eliot,"Ulysses, Myth, and Order" and Rickard, Joyce's Book of Memory, "Introduction"
Extra Reading: Michael Groden, "Before and After: The Manuscripts in Textual and Genetic Criticism of Ulysses"
- October 3
Ulysses–Episodes 3 and 4
Online Resource: Michael Groden's "Reading Ulysses" web pages provide useful summaries, outlines, and questions related to Ulysses
Extra Reading: Rickard, Joyce's Book of Memory, Chapter One: Personal Memory
PAPER 1 DUE BY 5:00 PM, FRIDAY, OCTOBER 7
- October 17
Ulysses–Episodes 5 and 6
Extra Reading: Garry Leonard, "James Joyce and Popular Culture"
- October 24
Ulysses–Episodes 7 and 8 (Have a look at a hypermedia version episode 8–"Lestrygonians" (Blackboard; Course Materials)
Extra Reading: Kimberly J. Devlin, “’I saw that picture somewhere’: Tracking the Symptom of the Sisters in Lazarus"
- October 31
Ulysses–Episodes 9 and 10
Extra Reading: Hugh Kenner, "The Arranger"
- November 7
Ulysses–Episodes 11 and 12
Extra Reading: Jennifer Wicke, "Joyce and Consumer Culture"
- November 14
Ulysses–Episode 13 and 14
Extra Reading: Vicki Mahaffey, "Ulysses and the End of Gender," in A Companion to James Joyce's 'Ulysses,' ed. Margot Norris, pp. 129-168 (Blackboard) and/or Rickard, Joyce's Book of Memory, Chapter Five: Intertextual Memory
FINAL PAPER PROPOSAL DUE
- November 21
Ulysses–Episode 15
Supplementary Reading (suggested, but not required): Rickard, Joyce's Book of Memory, Chapter Four: Textual Memory In Ulysses
Extra Reading: Maud Ellmann, "The Ghosts of Ulysses," in James Joyce's Ulysses: A Casebook, ed. Derek Attridge, pp. 83-101
- November 28
Ulysses–Episodes 16 and 17
Extra Reading: Rickard, Joyce's Book of Memory, "Conclusion" (On Reserve)
or, Jacques Derrida, "Ulysses Gramophone: Hear say yes in Joyce," in A Companion to James Joyce's "Ulysses," pp. 69-90
- December 5
Final Meeting (at my house; details to be announced) – Final Episode ("Penelope") and Excerpts from Finnegans Wake
Suggested Reading: Karen Lawrence, "'Penelope': A Coda"
Extra Reading: Ewa Ziarek, "The Female Body, Technology, and Memory in 'Penelope'," in James Joyce's Ulysses: A Casebook, ed. Derek Attridge, pp. 103-128
FINAL PAPER DUE BEFORE MIDNIGHT ON WEDNESDAY, DECEMBER 7
ASSIGNMENTS:
Each student will be responsible for:
- Making at least two oral presentations to the class, one of which will be a background report on a related text, a term, a theme in the primary texts, a critical approach to Joyce, a bibliographical problem, etc. The other will involve serving as "discussion leader" for one episode of Ulysses, which will require you to prepare for the class in which we will discuss that episode by reading the primary text carefully, checking the biographical sources for relevant contextual information, going over Joyce's "schemas," letters, and other relevant comments on the episode, and perusing a couple of critical articles. Please remember that the guidelines for making effective oral presentations include preparing in advance, finding interesting things to say, talking directly to your audience, and especially, not going way over or under your suggested time limit (in this case, approximately 15 minutes).
- Preparing a detailed explication of one page of Ulysses and presenting it orally to me in my office. This explication should involve such specific things as pronoun references, syntax, unusual and foreign words, allusions, geographical references, and any cruxes the passage involves. For this assignment you may choose any one page of the "Proteus" episode. This report will be presented during the week of September 27 - September 30 (i.e., before the October 3 meeting).
- Writing a paper (7-10 pages) on a critical problem or issue in "The Dead" and/or A Portrait of the Artist as a Young Man. This paper will be due October 6, and research is not required. I will discuss topic choices with you early in the semester.
- Writing a longer (approximately 15-page) term paper on a topic of your choice (I will be happy to make suggestions). You should begin thinking about your topic as soon as possible. You must hand in or e-mail me a 150-200 word proposal describing your proposed project on or before November 14.
- Writing a weekly response paper due by 9:00 pm every Sunday. Please refer to the web page on "Weekly Response Papers " for clarification and more information about this important assignment.
- Most weeks, an "extra reading" entry will be placed on the syllabus. Each undergraduate student must pick one of these extra entries to address in his or her weekly writing ONCE during the semester (this will be part of the weekly writing grade): briefly summarize the extra reading's main points, discuss your sense of its usefulness or uselessness, and ask at least one question that you would like to discuss concerning this extra reading. Any additional "extra reading" entries will earn extra credit. Graduate students must turn in THREE responses to extra readings in the course of the semester; one of these responses must also include presentation of the extra reading essay to the class.
EVALUATION: The following percentages are meant to serve as approximate measures of the importance of various assignments.
| Paper 1 |
20% of grade |
| Paper 2 |
30% of grade |
| Weekly Responses |
25% of grade |
| Oral Presentations |
20% of grade |
| Proteus Page Explication |
5% of grade |
There will be no exams in this seminar.
Note that there is no percentage of the grade listed above for class participation. Class participation is crucial in a seminar and is therefore full and active participation in discussions and activities is taken for granted as part of your overall grade for the class. Everyone must be present every week for such a class to work well; any absences will lower your grade in this course. More than two unexcused absences will result in an automatic grade of F for the seminar!
Syllabus, assignments, selected essays, bibliographies, and other important information for this class will be available on the web page for this class (http://www.facstaff.bucknell.edu/rickard/JJSem.html). You can e-mail me at rickard@bucknell.edu. If you need to speak with me, you can call me or leave a message at 577-1424.