English 326/626:
Seminar in W. B. Yeats
Fall 2008
Meets in BIOL 222
Monday, 2:00 - 4:52 pm
John Rickard
Office: Vaughan Lit 231
Office Hours: Tuesday, Wednesday, and Thursday, 2:00-3:00 PM, and by appointment
Office Phone: 570-577-1424
E-mail address: rickard@bucknell.edu
Homepage: http://www.facstaff.bucknell.edu/rickard
TEXTBOOK
There is only one required textbook for the class. We will supplement the readings in this book with readings from the internet and class handouts.
W. B. Yeats, Yeats's Poetry, Drama, and Prose. Selected and edited by James Pethica. Norton Critical Edition, 2000 (abbreviated as NCE below)
SYLLABUS
This is a provisional syllabus; changes will be announced in class. We may decide we need to spend more time on some things and less on others. You are responsible for learning of and responding to syllabus changes during the semester. I will expect you to have the works read by the day they are listed on the syllabus.
You can find most poems that are not in your book by visiting the internet homepage for this course (http://www.facstaff.bucknell.edu/rickard/Yeats.html), where a number of websites containing electronic versions of Yeats's poems are listed.
September 1
Business matters; introduction to course
Introduction to Irish history, Yeats biography, and the study of poetry
September 8
Crossways (1889) NCE 1-11
Focus Poems: "The Song of the Happy Shepherd," "Ephemera," "The Stolen Child," "Down by the Sally Gardens"
READ: "Introduction" and "A Note on the Texts," by James Pethica, NCE xi-xxiv
Irish Myth: Selections from Lady Gregory's myths (Online): Read Yeats's Preface, "The Boy Deeds of Cuchulain," "The Only Son of Aoife," "The Death of Cuchulain," "Note by W. B. Yeats," "Notes by Lady Gregory," and any others you care to look at (Suggested: "The War for the Bull of Cuailgne" and "Fate of the Sons of Usnach")
Also, please read Ciaran Carson, Excerpt from The Táin (on Blackboard)
Essays: "Hopes and Fears for Irish Literature" (1892), "The De-Anglicising of Ireland" (1892), "The Message of the Folk-lorist" (1893), NCE 258-263
Critical Reading: Richard Ellmann, "The Prelude," NCE 334-336; R. F. Foster, "Two Years . . .," NCE 339-340; and Declan Kiberd, "Yeats: Looking Into the Lion's Face" (PDF on Blackboard)
Prose fiction: "From The Celtic Twilight" (1893), NCE 177-182
Selections from other contemporary poets (Online; PDF file)
Online reading: "Metrics" by Dr. Samuel Schuman, and PowerPoint on Poetic Meter by Dr. Linda Lovell (also available on Blackboard)
Begin exploring The National Library of Ireland's remarkable Online Exhibition of The Life and Works of William Butler Yeats, especially the following "areas": "The Apprentice Poet" and "Yeats, His Worlds"; also, view short video ("The Mask: Yeats, The Public Man" in the "Library" room)
ORAL REPORT TOPIC SUGGESTION: Yeats and the Symbolist Movement
September 15
The Rose (1893) and The Wind Among the Reeds (1899), NCE 11-29
Focus Poems: "To the Rose upon the Rood of Time," "Fergus and the Druid," "The Lake Isle of Innisfree," "The Sorrow of Love" (two versions), "When You Are Old," "To Ireland in the Coming Times," "The Hosting of the Sidhe," "The Song of Wandering Aengus," "He Wishes for the Cloths of Heaven," "The Cap and Bells," "The Fiddler of Dooney," and "The Secret Rose"
Essays: "The Celtic Element in Literature" (1898), "The Irish Literary Theatre" (1899), NCE 264-269; "The Symbolism of Poetry" (1900) and "Magic" (1901), NCE 271-276
Stories: "Dust hath closed Helen's Eye," "Enchanted Woods," and "By the Roadside" (1902), NCE 183-192
Critical Reading: Arthur Symons, NCE 321-322; Harold Bloom, NCE 356-358; Helen Vendler, NCE 358-366; Michael J. Sidnell, NCE 366-369; and Declan Kiberd, "The National Longing for Form" (PDF on Blackboard)
The Life and Works of William Butler Yeats: Explore and listen to Yeats read "The Lake Isle of Innisfree" in the "Verse and Vision" room
ORAL REPORT TOPIC SUGGESTIONS:
Yeats and Decadence: The Yellow Book, Aubrey Beardsley, et al.
Oscar Wilde
Yeats and the Theosophical Society
September 22
Poetry: In the Seven Woods (1904), NCE 30-34
Focus Poems: "The Folly of Being Comforted," "Never Give All the Heart," "Adam's Curse," "Red Hanrahan's Song About Ireland"
Stories: "The Twisting of the Rope"and "The Death of Hanrahan" (1904; NCE 200-209), and "The Tables of the Law," and James Joyce, "The Sisters" (1902; online)
Prose: "From Autobiography," NCE 225-240
Plays: Cathleen ni Hoolihan (1902), and Lady Gregory, The Rising of the Moon (1907; PDF file)
Essays: "The Reform of the Theatre," NCE 277-78; "Introduction to Plays," NCE 313-315; "An Irish National Theatre" (PDF file); and Lady Gregory, "Our Irish Theatre" (PDF file)
Critical Writing: R. F. Foster, "A Taste of Salt 1902-1903," NCE 379-381
ORAL REPORT TOPIC SUGGESTIONS:
Maud Gonne
Lady Gregory
September 29
The Green Helmet and Other Poems, (1910), NCE 35-41
Focus Poems: "The Consolation [Words]," "No Second Troy," "The Fascination of What's Difficult," "The Mask," "Upon a House Shaken by the Land Agitation,""All Things Can Tempt Me," and "At the Abbey Theatre"
Plays: On Baile's Strand (1903; NCE 141-160) and John Millington Synge, Riders to the Sea (1904; online)
Prose: Autobiographical excerpts, NCE 242-250 ("The Tragic Generation," "The Stirring of the Bones," and "Dramatis Personae")
Essays: "On Taking 'The Playboy' to London" (1907), NCE 279; "Poetry and Tradition" (1908) NCE 281-82; and "First Principles," NCE 282-85
Critical Reading: George Bornstein, "The Aesthetics of Antinomy," NCE 382-386; and Michael North, "W. B. Yeats: Cultural Nationalism," NCE 387-393
ORAL REPORT TOPIC SUGGESTIONS:
The Abbey Theatre
Yeats and Ezra Pound
October 6Responsibilities (1914), NCE 42-53
Focus Poems: "Introductory Rhymes," "The Grey Rock" (online), "To a Wealthy Man," "September 1913," "Paudeen," "Fallen Majesty," "Friends," "The Dolls," "A Coat," and "Closing Rhymes"
Extra Online Focus Poems: "A Memory of Youth" and "The Attack on 'The Playboy of the Western World"
Prose: "From Reveries Over Childhood and Youth" (1916), NCE 210-219
Critical Readings: Ezra Pound, Review of Responsibilities and George Moore, excerpt from Vale, NCE 323-327
Context: World War I poetry--Wilfred Owen, Sigfried Sassoon, Ezra Pound
ORAL REPORT TOPIC SUGGESTIONS:
Yeats and the Occult (with emphasis on the Hermetic Order of the Golden Dawn)
W. B. Yeats in Bucknell Special Collections
Yeats's Sisters, the Irish Arts & Crafts movement, and the Dun Emer and Cuala Presses
The Hugh Lane Controversy
October 20The Wild Swans at Coole (1917), NCE 54-70
Focus Poems: "The Cold Heaven" (from Responsibilities), "The Wild Swans at Coole," "In Memory of Major Robert Gregory," "Reprisals" (Online), "An Irish Airman Foresees His Death," "The Scholars" (Compare two versions), and "Broken Dreams"
Extra Online Focus Poems: "The Dawn," "Memory," "The Phases of the Moon"
Essays: "From Per Amica Silentia Lunae" (1918), NCE 285-290 and "From 'A People's Theatre'" (1919), NCE 290-292
Critical Reading: Ronald Schuchard, "Hawk and Butterfly," NCE 416-429 and John Kelly, "'Friendship is the Only House I Have'" (NCE 407-412)
ORAL REPORT TOPIC SUGGESTIONS:
Georgie Yeats (Yeats's wife)
Yeats and the Romantic Poets
***PAPER 1 DUE
October 27Finish The Wild Swans at Coole (1917) and read Michael Robartes and the Dancer (1921), NCE 71-79
Focus Poems: "The Fisherman," "Ego Dominus Tuus," "The Double Vision of Michael Robartes," "Easter 1916," "On a Political Prisoner," "The Second Coming," and "A Prayer for my Daughter"
Extra Online Reading: "Sixteen Dead Men," "The Rose Tree"
Critical Reading: Jahan Ramazani, "'Easter, 1916' and the Balladic Elegies," NCE 394-399; Elizabeth Butler Cullingford, "Shrill Voices, Accursed Opinions," NCE 399-407; Marjorie Howes; "In the Bedroom of the Big House," NCE 439-443; and Marjorie Perloff, "Between Hatred and Desire," NCE 444-455
Play: At the Hawk's Well (1917; NCE 160-169)
Listen: Podcast discussion on Yeats and 1916 (MP3 file on Blackboard)
ORAL REPORT TOPIC SUGGESTIONS:
The Easter 1916 Rising and Yeats
Yeats and Japanese Drama
November 3The Tower (1928), NCE 80-95
Focus Poems: "Sailing to Byzantium," "The Tower," "Meditations in Time of Civil War," and "Nineteen Hundred and Nineteen"
Essay: From "The Bounty of Sweden," NCE 292-293
Critical Reading: "W. B. Yeats and Thoor Ballylee," NCE 429-439
The Life and Works of William Butler Yeats: "Poetry in Progress: Building The Tower" (view tutorials on "Nineteen Hundred and Nineteen" and "Sailing to Byzantium")
ORAL REPORT TOPIC SUGGESTIONS:
Yeats and Thoor Ballylee
The Irish "Troubles" and Civil War
Yeats and Neoplatonist Philosophy
November 10
The Tower, NCE 95-101 and A Vision ("All Souls' Night" [NCE 99-101] and A Vision [NCE, 298-300 and excerpts]; look at Yeats's A Vision
Focus Poems: "Leda and the Swan," "Among School Children," "Two Songs From a Play," and "All Souls' Night"
Extra Online Reading: "Fragments"Drama: The Resurrection (PDF file on Blackboard, in Course Materials / Readings folder)
Critical reading: Paul de Man, "The Rhetorical Question: 'Among School Children"; Anita Sokolsky, "The Resistance to Sentimentality"; Elizabeth Butler Cullingford, "Desire and Hunger in 'Among School Children," NCE 455-471The Life and Works of William Butler Yeats: "Poetry in Progress: Building The Tower"
ORAL REPORT TOPIC SUGGESTIONS:A Vision
Jack B. Yeats
Yeats and Censorship (with a focus on "Leda and the Swan")
***PAPER 2 PROPOSAL DUE
November 17
The Winding Stair and Other Poems (1933) and A Full Moon in March (1935) , NCE 102-113
Online Reading: "Coole Park and Ballylee, 1931"; "The Mother of God"; "Before the World was Made"; and "Remorse for Intemperate Speech"
Focus Poems: "In Memory of Eva Gore-Booth and Con Markiewicz," "A Dialogue of Self and Soul," "Blood and the Moon," "Coole Park, 1929," "Coole Park and Ballylee, 1931" (online), "Byzantium," "The Mother of God" (online), "Vacillation,""Crazy Jane Talks with the Bishop," "Before the World was Made," "A Last Confession," and "Remorse for Intemperate Speech" (online)
Essays: "From Pages from a Diary Written in Nineteen Hundred and Thirty" (1944), NCE 254-257, and "Introduction to The Oxford Book of Modern Verse" (1936), NCE 293-297
Critical Reading: James Pethica, "Patronage and Creative Exchange," NCE 471-477
ORAL REPORT TOPIC SUGGESTION:
Yeats, Sexuality, and Gender -- Recent scholarship
November 24
Online Reading from Parnell's Funeral and Other Poems: "Parnell's Funeral," "Church and State," and (from Supernatural Poems), "Ribh at the Tomb of Baile and Aillinn," "Ribh Denounces Patrick," "Ribh Considers Christian Love Insufficient," "He and She," and "Meru"
New Poems (1938), NCE 114-121
Focus Poems: "Lapis Lazuli," "What Then?," "Beautiful Lofty Things,"and "Are You Content?" (online)
Essays: Scribner Edition of Yeats's Collected Works, "Introduction" and "Introduction to the Essays," NCE 300-313; "From On the Boiler" (1939), NCE 315-317; Rickard, "Studying a New Science" (PDF)
Critical reading: Douglas Archibald, "Politics and Public Life," NCE 484-487
ORAL REPORT TOPIC SUGGESTION:
Yeats and EugenicsYeats and Fascism
December 1
Last Poems(1939), NCE 122-130
Focus Poems: "Under Ben Bulben," "Long-legged Fly," "High Talk," "The Statues," "News for the Delphic Oracle"
Play: Purgatory (1939), NCE 169-174 (For a three-part video of a performance of Purgatory, go to Youtube.com)
Critical Reading: Deirdre Toomey, "Away," NCE 477-482 and Marjorie Howes, "The Rule of Kindred," NCE 482-483
ORAL REPORT TOPIC SUGGESTIONS:
Open
December 8
Last Poems(1939), NCE 122-130
Focus Poems: "Man and the Echo," "A Bronze Head" (online), "Cuchulain Comforted," "The Circus Animals' Desertion," "Politics"
After Yeats
Critical reading: T.S. Eliot, "The Poetry of W. B. Yeats" and Maud Gonne, "Yeats and Ireland" (NCE 327-333); Seamus Heaney, "In the Midst of the Force Field" (PDF)
Context: W. H. Auden, "In Memory of W. B. Yeats" (online) and selected poetry handouts
Conclusions and Evaluation
ORAL REPORT TOPIC SUGGESTIONS:
Yeats's Influence
***FINAL PAPER DUE VIA EMAIL BY 11:59 PM, WEDNESDAY, DECEMBER 10
ASSIGNMENTS:
Each student will be responsible for:
--Making two detailed and professional oral presentations to the class:
1) You will serve as "discussion leader" for one "focus poem" (see focus poems listed on syllabus, above; I will provide you with a schedule for focus poem presentations early in the semester). This means you must memorize and scan the poem (we will discuss basic scansion in class), research its process of composition (if information is available) and the allusions and references in the poem, and finally, recite the poem from memory and present it to the group. This assignment also includes a "focus poem paper" assignment (see below).
2) You must also present a ten-minute long "background report" on a historical event, a literary or artistic or cultural movement, a related author, a critical approach to Yeats, etc. I will provide a list of suggested topics, though I am open to other suggestions that address your interests.
Remember that the guidelines for making effective oral presentations include preparing in advance, finding interesting things to say, talking directly to your audience, and not going over the suggested time limit.
--Preparing a detailed explication of one poem to accompany your focus poem presentation (see above). Your focus poem paper will present your explication, which should involve such specific things as poetic meter, rhyme, syntax, unusual and foreign words, allusions, geographical references, and any particular difficulties the poem involves, including Yeats's revisions of the poem.
--Writing a paper (7-10 pages) on some feature of the earlier poems and plays. We will discuss topic choices early in the semester.
--Writing a longer term paper (approximately 15 pages) on a topic of your choice (though I will be happy to make suggestions). You should begin thinking about your topic as soon as possible. You must e-mail or hand in a 150-200 word proposal describing your proposed topic on or before November 10.
--Writing weekly response papers that include: 1) your own responses to the reading for each class; 2) a brief summary and response to any critical articles or books you read; 3) responses to questions and/or writing suggestions I may give you at the end of class periods; 4) response to one of the "focus poems" listed for each week's reading. Refer to the handout on "Weekly Response Papers " for more information about this important assignment.
I would like to receive all papers -- including weekly writings -- electronically, through e-mail or in my "drop box" in my Bucknell public space. Papers should be prepared in Microsoft Word format. If this presents any problems for you, please let me know early in the semester.
EVALUATION
Paper 1 Due: October 20
25% Final Paper Due: December 10
35% Weekly Responses
Due: Every Sunday, via e-mail
20% Oral Presentation Schedule to be determined 10% Focus Poem Project
Schedule to be determined 10%
Note that there is no percentage of the grade listed above for class participation. Class participation is CRUCIAL in a seminar, is taken for granted by the instructor, and will be an important part of your final, overall grade. Everyone must be present every week for such a class to work well; any absences will lower your grade in this course. Missing one three-hour seminar meeting is the same as missing a week of classes; if you absolutely must miss a class, you must contact me or another student in the seminar to find out what you missed and what assignments are due the next week. More than two unexcused absences will result in an automatic grade of F for the seminar!
LATE PAPERS: Weekly writings cannot come in after the seminar meets each week; any weekly writing turned in after midnight on Sunday will receive a late penalty. Unexcused late papers will go down one grade level (+/-) for every day they are late. I will not allow extensions on oral presentations.
If you need to speak with me outside of my scheduled office hours, you can call me at 577-1424, e-mail me at rickard@bucknell.edu, or leave a message for me with the English Department academic assistant at 577-1553. My home phone is 523-7784.